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I'll check them out at the show, and possibly get the speakers in for review.<br><br>So the question is: has music become too perfect, and lost its way? Lord knows I'm not talking about the sound (quality) of music. It generally sounds like crap, and it's overly compressed, equalized, and processed. Computer editing systems scrub every last bit of humanity out of the music, so all that's left is glistening perfection, which has little to do with the way the band played in the first place.<br><br>Once you've done all of the study you'll be able to and have narrowed down your search to a few that you simply really think you are interested in, it is time to obtain available and discover those perfect headphone<br><br>So the mono-holics and hipsters aren't crazy. But I prefer stereo. With some mono recordings, the sound feels like it's missing something. I tried listening with one of my ears blocked with my Sensaphonic plugs, but my "mono ear" trials fell flat. One-ear mono sound was unpleasantly lopsided, so I yanked the plug out and returned to two-eared mono auditioning.<br><br>Have you ever really thought about the difference between the way older and present-day recordings affect you? I'm not so much talking about sound quality; older recordings have a very different feel. They have more juice, more soul, more life, and that's why they connect with people in a completely different way than hyperprocessed contemporary music does.<br><br>When I ran into Stereophile magazine writer Art Dudley at a mono listening party at the In Living Stereo NYC store, he said, "It really comes down to body and impact. I appreciate stereo imaging -- it can be highly entertaining with the right sort of music -- but the 'phasey' quality of stereo can be a distraction." It's not just old mono LPs; he felt the same way about mono CDs. 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